
音樂盒裡有夢想 故事盒裡有人生 打開故事盒 打開一篇故事裡的人生 -- Hosting provided by SoundOn
| Publishes | Weekly | Episodes | 50 | Founded | a year ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | ArtsFiction |

《打開故事盒》自本集起,將以美國作家歐亨利的短篇小說〈最後一片葉子〉(The Last Leaf, 1905),打開一個新單元:
短篇小說中的謊言 —— 善意的謊言!
〈最後一片葉子〉是二十世紀初在紐約格林威治村裡三位畫家的故事。瓊西與蘇,兩個年輕女孩,是室友。這年秋天,瓊西罹患了肺炎,終日臥床,奄奄一息,完全喪失了求生意志,不論蘇如何地照顧、呵護、打氣。瓊西甚至相信窗外對街磚牆上的常春藤葉片落盡之日,就是她的死期……
蘇將此事告知了住在樓下的老畫家,畢生毫無藝術成就的老人,如今主要... more
《進烤箱的好日子》(李欣穎 著|自轉星球 出版)裡,說故事的阿丹,因為寫不出小說,轉而寫「回憶錄」。小說是假的,回憶中的人生是真的,但是,她要如何向讀者、尤其向自己,證明回憶錄的真實性呢?
於是,讀者們一邊隨著阿丹的書寫進入她的兒時回憶、青春記憶,一邊隨著阿丹本人接觸到從回憶裡走出的真人,並且一邊隨著作者思考藝術的創作與真假。
當阿丹的真實與同學的真實相互衝突時,誰的記憶才是真的?
當別人眼中的阿丹是「驕傲」的、是「愛耍帥」的,而她毫不同意,但怎樣哪個才是真的阿丹?
當我們以為烤... more
「任何熬過童年的人都有足夠支撐他後半輩子的人生素材。」小說家歐康納這麼說。
而引用這句話的人,阿丹,是被小說創作困纏住的作者,為了脫困,她決定改變方向來寫回憶錄…… 這是小說《進烤箱的好日子》(李欣穎 著|自轉星球 出版)的開端。
於是,阿丹的回憶錄開始於她的童年,開始於「小學四年級的時候,我爸跟我媽離婚了」。回憶錄愈寫愈多、愈寫愈遙遠,阿丹再次開始迷惘:我的真實人生是百分之百的真實無誤嗎?
於是,她開始尋找回憶錄中寫到的人物,她的舊日同學,來驗證她回憶的正確。
隨著這條「寫作」... more
電影《國寶》的男主角喜久雄在新年祈願後說出:「我不是在跟神明許願,我是在跟魔鬼交易。」
故事中的他,懷抱著這種心情去追求人生的極致,但他身邊之人、愛他之人,該如何面對、如何自處呢?
在本集討論中,還有另一個震撼的設問:
「人生到了絕境、窮途末路時,總有一次,會想如果我不是原來的個性,是不是可以改變我的命運?」
我們會「放手一搏」,抹去自我,即便可恥可憎的事也做得出來嗎?
天下第一的孤高追尋,究竟有沒有意義?
歡迎聽眾們繼續留言告訴我們您的想法!
※敬請贊助故事盒: more
讀到《進烤箱的好日子》的這個尾聲,忽然眼淚湧上。我想這是很多大人都需要的一句話。
怎麼覺得聽到最後,主持人間的氣氛怪怪的…聽過許多年輕人的分享,真覺得有較多人生起伏跌宕的人,在看國寶時,更能理解角色的心情,以及人跟人之間的矛盾與衝突,這是透過貴節目比較看得到的角度
看完這齣電影,我覺得春江為何會約俊介一起走,而且我覺得是女生約男生。
是因為春江太愛喜久雄了,但是她也看出俊介的實力,所以要把俊介帶離開,不要讓俊介影響喜久雄的藝術追求。
然後春江也覺得自己的存在,會影響喜久雄,某方面可能也覺得自己的身分跟出生不夠高。
太好聽了!日日夜夜都在等著聽故事!很奇妙的是,當生活覺得沒什麼盼望時,因為打開故事盒,成了一種盼望!
如果說宗教是靈魂的救贖,那麼故事就是心靈的救贖,帶領大家脫離苦悶紛擾的現實世界。謝謝三位!🙏
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #250 | |
Apple Podcasts | #41 |
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