
过时新闻,过气娱乐,过期评论。隔周的周三晚更新,编辑是左小姐和葛小姐。
| Publishes | Twice monthly | Episodes | 112 | Founded | 6 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Category | Society & Culture |

编者注:本期为葛小姐个人发起的,2026年春节前南斯拉夫纪念碑旅行招募特别节目
【本期目录】
01:00 Spomenik:曾想象与未抵达
04:00 为什么还要回到历史的现场
06:00 红星纪念碑:独立的共同体
09:00 走进远古生物的“遗骸”
11:00 勇气纪念碑:唯一共识是争论
13:00 去罗马,去麦加,去科扎拉
15:00 为什么需要全程的文化向导
16:00 找到一把钥匙,去开未知的门
19:00 这一天锻造了几代人的生命
23:00 第三条道路:从有形到抽象
28:00 胜... more
【编者按】
过刊第七十六期,我们聊一聊黄河沿岸的生活。黄河曾经断流,孩子坐在干涸成细细沙土的河底,没有任何遮挡地暴露在阳光下,暴露在被洪水冲走的恐惧中。对生活的不安具象化成为河底的流沙漩涡,告诉她,不要行差踏错,也不要回头看。有人用30年的时间艰难地回归故土,尚未回家的时候,回家就是目的,但是回家后呢?遗失的时间已经无处索赔,生与死之间夹着徒劳。异乡的树叶和泥土被挪移到它们的异乡,最终也证明不了任何事。但那些终被忘记的村庄,我暂时还记得你。
【本期目录】
08:00 干涸、不安与“被冲走”的... more
【编者按】
今年是乌镇戏剧节的第十二年,是这个被称为“乌托邦”的戏剧节的第一个本命年。我们以一个戏剧节最核心的“国际特邀剧目”为钥匙,试图先回答一个最朴素的问题:为什么这些戏值得观众花钱买票进剧场?
而究其自身,乌镇戏剧节又如何理解这十二年来成长起来的新一批剧场观众?它如何定位自己,看待自身的影响,又如何为这个新戏剧时代留下起承转合的生动注脚。
我们把这些问题抛给了这十二年来始终在场的,乌镇戏剧节发起人、艺术总监孟京辉。这也是这位中国当代剧场无可回避的人物,第一次在播客里发出自己的声音。
本期节... more
【编者按】
在9月的尾声,过刊编辑部与刚从排练场回来的吴孟珂有过一次夜谈。从在地创作到文化交流,从竞创辩论到公共参与,作为「2025正在国际舞蹈节」的发起人之一,这位世界级的顶尖舞者与我们分享了更多看待舞蹈的视角,与体会舞蹈的方式。
我们需要看懂舞蹈吗?舞蹈何以回应现实?我们不妨将这场对话,作为一次切近的导赏,当作一把钥匙,帮助我们打开「2025正在国际舞蹈节」——找到我们最感兴趣的现场,也听见我们所期待的回响——每一次腾空、下落与悬停,都是身体与重力的抗衡与共舞。在坠落与飞翔之间,我们共同以身... more
特别喜欢最新一期,感同身受
和主播们对内娱有相似的恨其不争,隔着声波轻轻地被两位握了握手。
感谢葛小姐令人惊叹的信息量和逻辑表达,以及左小姐真诚感性直戳人心的感情共鸣。
特别特别喜欢,我也幻想能和朋友们有这样的聊天…感觉和主播像朋友一样☺️
内娱过往,能不能出几期不收费的
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #69 | |
Apple Podcasts | #222 |
Listeners, social reach, demographics and more for this podcast.
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| Interests | Professions | Age Range | |||
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过刊 launched 6 years ago and published 112 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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