
透過邀訪出版社編輯、插畫家、作家與推廣者,一起走進童書的世界,聊聊關於童書和繪本的創作歷程與思考,探究在數位時代,童書創作中永恆不變的真誠,發現結合跨界創意與新科技、新形式的無限可能。 【第一季】主持人:楊子葦 編劇、導演、繪本作者。政治大學廣告學系畢業。 因喜愛說故事而選擇編劇行業,擔任過多部兒童電視劇、動畫、舞台劇、音樂會編劇,而後開始嘗試畫畫,遂進入迷人的繪本世界! 【第二季】主持人:林晨 打零工的家庭主婦與專欄作者。 常常寫出被編輯改成肯定句的問句,在童書中回應自己胡思亂想的一百萬個為什麼。 曾從事書店產業、出版業與科枝業,2007年加入凱風卡瑪兒童書店,此後人生與童書糾葛不清、一言難盡。 【第三季】主持人:羅怡君 親職溝通作家與講師。 一個比孩子還愛問為什麼、愛說話勝過寫字的大人。 獨特的思考邏輯和表達方式,吸引許多孩子靠近分享, 帶領孩子們閱讀小說、舉辦活動, 期待每一次... more
| Publishes | Weekly | Episodes | 94 | Founded | 4 years ago |
|---|---|---|---|---|---|
| Language | Number of Listeners | Categories | Kids & FamilyArtsBooksEducation for Kids |

本集節目邀請到曾榮獲金鼎獎、波隆那書展拉加茲獎首獎的繪本作家林廉恩,與大塊文化童書主編郭孚,一起聊聊廉恩最新力作,一本陪伴孩子走過挫折的暖心繪本《紅點點》。
這本繪本的靈感,其實來自於作者女兒三歲時隨口編的一個故事——「某隻身上長滿紅點點的貓」。當年被悄悄記下來的片段,經過多年等待,並融合廉恩觀察孩子成長的真實經驗,終於孕育成一本繪本。節目中,廉恩分享了從孩子的原始版本出發,歷經反覆嘗試與自我懷疑的創作過程。特別是在完成第一個故事版本、參加繪本作家大衛・卡利的工作坊之後,展開了一段繞遠路、再回... more
本集節目邀請到作者楊富閔與繪者周見信,聊聊他們繼《機車媽媽》之後,再度攜手創作的繪本《阿祖的日子紙》。這本作品甫出版便獲得高度肯定,入圍Openbook 好書獎【年度童書】、誠品閱讀職人大賞【最想說服爸媽買】,以及2026年台北國際書展大獎.兒童及青少年獎。
有趣的是,兩次合作其實都是透過編輯牽線完成,創作過程中幾乎沒有直接交流與討論,直到最後在印刷廠才再度見面。回顧這段經驗,兩人幽默的笑稱自己「嫁對人了!」
節目中,這對彷彿天作之合的創作搭檔,分享他們如何從童年記憶出發,轉化生活經... more
本集邀請「雪儂盒」出版社總編輯何聖理,從出版社名稱的由來談起,聊聊她一路以來的選書方向與出版理念,為何選擇出版那些關於愛、幸福、存在與「我是誰」的作品。
「雪儂盒」出版的新書《一念之島》,故事從一個擬人化的「念頭」出現在群島上方開始,看見一座座孤立的小島,每座島上都有一個不知道世界上還有其他人的孩子......聖理分享,書中的孩子既是孤島上的孤兒,也是她長期關注的邊緣兒童,而我們每個人心中,其實都住著一個不會消失的孩子。
節目中也談到她與譯者討論翻譯時如何在詩意與易讀性之間拿捏,以及繪者卡夏... more
這集集目,我們再次邀請到童書譯者黃筱茵,聊聊在全球掀起閱讀熱潮、也深受台灣孩子喜愛的經典繪本《蠟筆大罷工》系列。
身為譯者,筱茵第一次讀到《蠟筆大罷工》時,有什麼樣的心感受?從《蠟筆大罷工》、《蠟筆想回家》,到最新出版的《蠟筆交朋友》,每一本書都讓蠟筆們向小主人述說真心話,說出委屈、不滿、渴望被看見的心情,而翻譯時,筱茵如何為每一支蠟筆找到屬於自己的語氣?因為翻譯不只是「翻對意思」,而是必須翻出角色的情緒與個性。也因此,繪者奧利佛.傑法的圖像,似乎也成為了翻譯時不可忽視的重要線索;畫面裡的... more
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Apple Podcasts | #96 |
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童書,然後呢? launched 4 years ago and published 94 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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