迷內：生命中軸的思辨、實踐與身心靈
迷內 Me-Nay本節目由主持人江峰，從藝術品牌「迷內 Me-Nay」兩層三位一體精神出發：（1）學術思辨、社會實踐（含藝術）與身心靈修行：打破目前理論研究、藝術創作與靈性超越三分的局面，建構一個自由、開放、解構的想像空間。 （2）教育、創作與論述：切入屬於社會實踐之藝術，更從多元角度整合第一層次之學術思辨、社會實踐與身心靈修行，完整發揮藝術之全面動能。 迷內相信生命擁有可能。每個人獨特的身體，蘊含創造能力，能從「藝術」中找回生命的主權與熱情。迷內提供各類課程：作品抒創、論述思辨、內外修行，打破目前學術研究、靈性超越和藝術創作三分的局面，建構一個自由、開放、解構的想像空間。 第一季，深論廣義的「性／愛」議題，進而解構與重構對於性與愛的狹隘想像。並著重「（身心合一的）身體」在這個系統中所扮演的重要腳色，達到生命的超越——也就是修行。將邀請來自三個領域，學術研究（廣義人文社會科學，如社會學、法學、哲學、人類... more
| Publishes | Daily | Episodes | 9 | Founded | 5 years ago |
|---|---|---|---|---|---|
| Language |  ZH-TW | Categories | PhilosophySociety & CulturePerforming ArtsArts | ||
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二零二二國藝會表演藝術評論人專案計畫
「身體酷兒閱讀：『表演』藝術中被消失的表演與性（別）邊緣敘事」
本計畫提出「酷兒身體閱讀」概念，分為兩大面向：從鍾明德之身體行動方法、尤金諾．芭芭（Eugenio Barba）《劇場人類學》、菲利普．薩睿立（Phillip Zarrilli）身心表演與世阿彌等提出之理論，建立臺灣表演藝術與評論界忽視，近似邊緣之「表演工夫論」；再以酷兒理論之「歪讀」出發，挖掘作品內外之性（別）邊緣主體與敘事，以打破主流與霸權創作意識形態與政治預設。就此理論框架，分析十... more
二零二二國藝會表演藝術評論人專案計畫
「身體酷兒閱讀：『表演』藝術中被消失的表演與性（別）邊緣敘事」
本計畫提出「酷兒身體閱讀」概念，分為兩大面向：從鍾明德之身體行動方法、尤金諾．芭芭（Eugenio Barba）《劇場人類學》、菲利普．薩睿立（Phillip Zarrilli）身心表演與世阿彌等提出之理論，建立臺灣表演藝術與評論界忽視，近似邊緣之「表演工夫論」；再以酷兒理論之「歪讀」出發，挖掘作品內外之性（別）邊緣主體與敘事，以打破主流與霸權創作意識形態與政治預設。就此理論框架，分析十... more
二零二二國藝會表演藝術評論人專案計畫
「身體酷兒閱讀：『表演』藝術中被消失的表演與性（別）邊緣敘事」
本計畫提出「酷兒身體閱讀」概念，分為兩大面向：從鍾明德之身體行動方法、尤金諾．芭芭（Eugenio Barba）《劇場人類學》、菲利普．薩睿立（Phillip Zarrilli）身心表演與世阿彌等提出之理論，建立臺灣表演藝術與評論界忽視，近似邊緣之「表演工夫論」；再以酷兒理論之「歪讀」出發，挖掘作品內外之性（別）邊緣主體與敘事，以打破主流與霸權創作意識形態與政治預設。就此理論框架，分析十... more
二零二二國藝會表演藝術評論人專案計畫
「身體酷兒閱讀：『表演』藝術中被消失的表演與性（別）邊緣敘事」
本計畫提出「酷兒身體閱讀」概念，分為兩大面向：從鍾明德之身體行動方法、尤金諾．芭芭（Eugenio Barba）《劇場人類學》、菲利普．薩睿立（Phillip Zarrilli）身心表演與世阿彌等提出之理論，建立臺灣表演藝術與評論界忽視，近似邊緣之「表演工夫論」；再以酷兒理論之「歪讀」出發，挖掘作品內外之性（別）邊緣主體與敘事，以打破主流與霸權創作意識形態與政治預設。就此理論框架，分析十... more
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