一個演員的獨白
威廉在這裡，沒有排練好的台詞，只有最直覺的生命對話。 我是威廉，我是一位演員。工作中，我習慣穿梭在不同的人生劇本裡，而作為主持人，我本色演出。我會在這裡聊劇本後的隱喻，聊文字間的溫度，聊那些在生活縫隙中捕捉到的細微體悟，更聊我們如何在這個時代，擁抱傷痕且誠實地活著。 歡迎訂閱，讓我們在聲音的頻率裡，找回那份對生活的熱愛。 mail｜ monologue.by.william@gmail.com Instagram｜monologue_by_william 封面靈感源自John Everett Millais 於1851年的畫作＜Ophelia＞，並經由AI生成創作 -- Hosting provided by SoundOn
| Publishes | Twice weekly | Episodes | 38 | Founded | a year ago |
|---|---|---|---|---|---|
| Language |  ZH-TW | Number of Listeners | Categories | ArtsPerforming ArtsEducation |
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在抵達世界盡頭後，我才明白孤絕也可以是一種治癒。這段旅程從北愛爾蘭的鋼鐵餘溫出發，跨越海洋進入蘇格蘭高地那片近乎神話的荒野。在斯開島我以為我到了世界的邊緣——那是一個感官被極度簡化，只剩風聲、船隻與自我的空間。這集節目紀錄了地景如何由「硬」轉「柔」：從貝爾法斯特的沈重工業，到斯開島的孤絕純粹，再到愛丁堡軍樂節那份震懾靈魂的榮耀與共鳴。這是一段從「大地寂靜」走向「人文喧囂」的過渡，不論是世界還是人類的歷史，始終伴隨。
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當迷魂者渴求著做夢，當感官被拆解成篇章，我看到的不僅是一部魔幻電影，而是一個藝術家對現實、歷史及電影本質的訴說。人們吸食著被迫食用罌粟花的創作者們所留下的眼淚，醒著活著，卻如同死了。畢贛藉由《狂野時代》提醒著當代的人們做夢、幻想，藉由一切的虛假來告訴你真實。
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當我們看過足夠久遠的事物，當下的不安就會顯得短暫。這不是一場普通的旅行，而是一次感官的重新校準。從劍橋的學術靜謐出發，我帶著尚未完全癒合的靈魂，走進了史特拉佛的文學氣息，並在巨石陣與巴斯羅馬浴場遇見了時間的重量。當我跨越愛爾蘭海，來到垂直聳立的莫赫斷崖與鬼斧神工的巨人堤道，我發現自己不再是宇宙的中心，而只是世界的一粒塵埃。在那樣的時刻，靈魂的感官被大西洋的強風吹散重組，最終校準回一個更宏大的比例。
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「生きろ。」—— 這是宮崎駿在 1997 年給世界的命題，但在 2026 年的今天，當我坐在 IMAX 的巨幕前，這三個字對我而言有了全新的重量。正式回歸的第一集，讓我以這部對我有特殊意義的電影，來開啟不只是關於自然與文明的辯證，更是一次關於「生存」的深度對話。
喜歡的話，別忘了訂閱及評分！也歡迎大家留言，或分享自己的故事！
👁️🗨️
Mail ｜monologue.by.william@gmail.com
Instagram｜monologue_by_william... more
Chart Rankings
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Apple Podcasts | #77 |  Taiwan/Arts/Performing Arts |
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一個演員的獨白 launched a year ago and published 38 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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