
人人都是主播
| Publishes | Weekly | Episodes | 144 | Founded | 11 years ago |
|---|---|---|---|---|---|
| Language | Category | Arts | |||

《坐电车跑野马》(节选)
作者:夏衍
朗读:贺坪
假如以时代为车而以人为搭客,假如以社会为车而以人为搭客,那么当时代和社会的车子有突如其来的变化使个别的人受到冲击,乃至遭到损害,这几乎是属于不可拒抗的事实,而在此假如要尽可能的减少动荡的程度,尽可能避免由于转不过来而发生的伤害,那么如上面所说的那个安定度的例子,最基本的办法,应该是这个人和这个时代与社会保持最大可能的接触!人在时代和社会里假如像一个鸡蛋竖在桌面上似的有一点的接触,那是不需要有激烈动荡,只需要稍梢的微动、也就会倒下来吧,而反过... more
请大家来歇脚
作者:夏衍
朗读:朱晔
当人们挑着重担走路,捱着困苦前进的时候,忽然望见了前面有座茶亭,一定会很高兴,一定会跑得更快些,肩上的重担也似乎轻得多了,他们需要快些走进茶亭里休息,舒服地喘口气,减轻疲劳,恢复气力。
粗看起来,人们对于茶亭的留恋,是为了一时的凉快与舒服,其实呢?是为了继续前进。
茶楼酒馆,可供有钱人大吃大喝,又饱又醉,但茶亭的主人却只能给顾客一些粗茶零食,略止饥渴而已。
如果是一位迷路的过客,茶亭的前后却也竖有指路碑的。
茶亭是大众的场所,老的少的,男的女的往往... more
《杂谈改编》(节选)
作者:夏衍
朗读:李超
从《战争与和平》的改编使我联想到《红楼梦》和《水浒传》。对于这两部书,我想,要把这样浩瀚的篇幅和这样错综复杂的情节包括到一个节目中去,客观上似乎是不可能的。对此,我们的前辈已经摸索到了一个可行的方案,这就是以人物或者情节为中心,化整为零,改编为可以独立、而又是互相联系贯串的“本戏”,或者自成段落的电影。如京剧中的“武十回”、“宋十回”以及“红楼二尤”等等。至于《儒林外史》和《聊斋志异》,那么原作本身就是自成段落的故事和小品的综合,改编这两部名著... more
《上海屋檐下》自序
作者:夏衍
朗读:王梓
在校完了自己写的东西,而拿起笔来写一点“自序”之类的时候,往常总感觉到一点轻微的喜意,但是现在,我只是一种“感慨无量”的心情。
开始写这剧本,是在今年的初春,但是三月间生了一场大病,四月初为着我们的成长而苦难了一生的母亲死了。这时期,又正是我们中国历史上所遭遇的一个最严重的时代,微力的我,也被情势逼着,处身在一个忙迫倥偬的环境里面,写下了“第一幕”这三个字之后,几个月来,简直没有连续地写作三小时的时间,而流光如水,正月间和“业余实验剧团”预约了交稿... more
YH
听黎明的时候莫名想流泪,读的真好。我们有多久没有读诗歌了呢,那些美好的却遥远的首歌。
How this podcast ranks in the Apple Podcasts, Spotify and YouTube charts.
Apple Podcasts | #75 |
Listeners, social reach, demographics and more for this podcast.
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上海话剧艺术中心 launched 11 years ago and published 144 episodes to date. You can find more information about this podcast including rankings, audience demographics and engagement in our podcast database.
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